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	<title>WBUR and NPR - On Point with Tom Ashbrook &#187; Motown</title>
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	<description>On Point is a live, two-hour morning news-analysis program, produced by WBUR 90.9 and NPR.</description>
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		<title>Hitsville, USA</title>
		<link>http://www.onpointradio.org/2008/11/hitsville-usa</link>
		<comments>http://www.onpointradio.org/2008/11/hitsville-usa#comments</comments>
		<pubDate>Thu, 13 Nov 2008 16:00:33 +0000</pubDate>
		<dc:creator>Pien Huang</dc:creator>
				<category><![CDATA[Shows]]></category>
		<category><![CDATA[arts]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[Motown]]></category>
		<category><![CDATA[Music]]></category>

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		<description><![CDATA[Fifty years ago, Motown Records crossed racial lines and helped define an era. We listen back to the music and those who made it.]]></description>
			<content:encoded><![CDATA[<div id="attachment_12952" class="wp-caption alignleft" style="width: 226px"><img class="size-full wp-image-12952" title="Covers of albums produced by Motown Records." src="http://www.onpointradio.org/wp-content/uploads/2008/11/motwon.jpg" alt="Covers of albums produced by Motown Records." width="216" height="215" /><p class="wp-caption-text">Clockwise from top, Motown albums by Martha Reeves and the Vandellas, the Jackson 5, The Temptations, and Diana Ross &amp; the Supremes.</p></div>
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<p>Half a century ago, American popular music was nearly as segregated as the rest of American life.</p>
<p>And then came Motown: from a little house on West Grand Boulevard in Detroit, hit after hit that soared across the color line and left a generation of young Americans &#8212; coast to coast, North and South, black and white &#8212; dancing to the same tunes.</p>
<p>The Supremes, the Temptations, Smokey Robinson and the Miracles, Marvin Gaye, Mary Wells, Stevie Wonder, the Jackson Five. It was a pop music earthquake.</p>
<p>This hour, On Point: Motown, and its legacy, at 50.</p>
<p>You can join the conversation. What made the Motown sound work across the country? What made the country ready for Motown?</p>
<p>-Tom Ashbrook</p>
<p><strong>Guests</strong>:</p>
<blockquote><p>Joining us from New York is <strong>Lisa Robinson</strong>. She covers music and the music industry for <a href="http://www.vanityfair.com/magazine/bios/bio_robinson" target="_blank">Vanity Fair</a>. Her feature story in the December issue, <a href="http://www.vanityfair.com/culture/features/2008/12/motown200812">&#8220;It Happened in Hitsville,&#8221;</a> is an oral history of Motown.</p>
<p>Joining us in our studio is <strong><a href="http://www.artsjournal.com/riley/" target="_blank">Tim Riley</a></strong>, a music critic and frequent contributor to PRI&#8217;s “Here &amp; Now.” His latest book is “Fever: How Rock Transformed Gender.&#8221;</p>
<p>From Los Angeles, we&#8217;re joined by <strong>Suzanne de Passe</strong>, the former president of Motown Productions. As creative assistant to Motown founder Berry Gordy, she discovered Jackson 5 and The Commodores. A winner of Emmy, Golden Globe, and Peabody awards, she&#8217;s now CEO of de Passe Entertainment.</p>
<p>And from Amsterdam, we&#8217;re joined by <strong><a href="http://www.raphaelsaadiq.com/" target="_blank">Raphael Saadiq</a></strong>, the singer, songwriter, and award-winning producer for artists such as Joss Stone, The Roots, and Snoop Dogg. His new album, <a href="http://www.amazon.com/Way-I-See-Raphael-Saadiq/dp/B001CY2EL6/wburorg-20" target="_blank">&#8220;The Way I See It,&#8221;</a> is new material in the style of &#8217;60&#8217;s soul. He describes it as &#8220;the culmination of a lifetime of experiences informed by the music I grew up on.&#8221; He&#8217;s currently on tour with John Legend.</p></blockquote>
<p><strong>More links:</strong></p>
<p>Motown Records&#8217; <a href="http://classic.motown.com/" target="_blank">Classic Motown</a> site offers a rich <a href="http://classic.motown.com/timeline/" target="_blank">interactive timeline</a> covering the label&#8217;s history and the 50th anniversary music video below:</p>
<p style="text-align: center;"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" width="460" height="390" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"><param name="allowFullScreen" value="true" /><param name="src" value="http://media.imeem.com/pl/1E-Vvhbd4Z/aus=false/pv=2/" /><embed type="application/x-shockwave-flash" width="460" height="390" src="http://media.imeem.com/pl/1E-Vvhbd4Z/aus=false/pv=2/" allowfullscreen="true"></embed></object></p>
<p align="center">The Hitsville U.S.A. building in Detroit, Michigan, which served as Motown&#8217;s headquarters from 1959 until 1968:<br />
<a href="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Hitsville_USA.jpg/800px-Hitsville_USA.jpg" target="_blank"><img class="aligncenter" src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/3d/Hitsville_USA.jpg/800px-Hitsville_USA.jpg" alt="Hitsville USA" width="500" /></a></p>
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